Duc Ly

Nov 16

black car (via Duc N. Ly)

black car (via Duc N. Ly)

Nov 12

Flak Photo

Nov 04

48_Nude-041 (via Duc N. Ly)

48_Nude-041 (via Duc N. Ly)

Megan Bulb08 UBLB (via Duc N. Ly)

Megan Bulb08 UBLB (via Duc N. Ly)

Oct 31

Wix.com - Website built by ducly503 based on Photo Focus

Oct 20

amber21:

glen luchford

amber21:

glen luchford

Oct 16

nemoi:

suzukigelee:

suzukichiyo:

t-s-k-b:

arsvitaest:

every…Bernd and Hilla Becher Spherical Type Gasholdersphotographic print, 2004

Working with appropriated imagery, Idris Khan’s photos are all-encompassing composites, consolidating iconic cultural symbols of similar type into single ‘super-images’. In this selection of his ‘every…’ series, Khan aggregates the work of renowned artists Bernd and Hilla Becher, famous for their vast photographic collections of buildings and industrial sites. Exposed in translucent layers, anchored by the compositions’ continuous shapes, the Becher’s gasholders and gabled houses loose their commanding simplicity and rigid formalism, descending into fractured and gestural blurs merely suggestive of the originals. Through this process of layering, Khan creates a poetic malleability from the fixed codes of history. Compressing the timeline of repetition into indivisible subsuming moments, his photos offer a glimpse into the sublime. - source

osso:
Idris Khan

nemoi:

suzukigelee:

suzukichiyo:

t-s-k-b:

arsvitaest:

every…Bernd and Hilla Becher Spherical Type Gasholders
photographic print, 2004

Working with appropriated imagery, Idris Khan’s photos are all-encompassing composites, consolidating iconic cultural symbols of similar type into single ‘super-images’. In this selection of his ‘every…’ series, Khan aggregates the work of renowned artists Bernd and Hilla Becher, famous for their vast photographic collections of buildings and industrial sites. Exposed in translucent layers, anchored by the compositions’ continuous shapes, the Becher’s gasholders and gabled houses loose their commanding simplicity and rigid formalism, descending into fractured and gestural blurs merely suggestive of the originals. Through this process of layering, Khan creates a poetic malleability from the fixed codes of history. Compressing the timeline of repetition into indivisible subsuming moments, his photos offer a glimpse into the sublime. - source

osso:

Idris Khan

Oct 15

(via yimmyayo)

(via yimmyayo)

handa:
Bits & Pieces - Women problems

handa:

Bits & Pieces - Women problems

Oct 14

becky fg (via Duc N. Ly)

becky fg (via Duc N. Ly)